concert
 
 

Saturday evening concert with ROBIN WILLIAMSON, founder member of the Incredible String Band and master Bard, multi-instrumentalist and storyteller. He has a particular interest nowadays in the early settlers of Celtic Britain, as does "First Chaired Bard of Ynys Witrin" Tim Hall, who has been booked to play a support set. Also performing will be the newly chaired "Fourth Chaired Bard of Ynys Witrin" (that’s Glastonbury to the uninitiated!) who will be invited to perform their winning poetical Gorsedd entry to the at the beginning of the evening. Only £7.50 to Megalithomania ticket-holders. £12.50 otherwise. Check out his official website: www.pigswhiskermusic.co.uk

Previous Performers at Megalithomania 2008 & 2007:

Dirk's website www.dirkcampbell.co.uk
Ed n Will's website www.myspace.com/awalkaroundbritain

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Bards
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On St Dunstan's Day, May 19th 2007, the Gorsedd of Ynys Witrin will chaired a new Bard of Glastonbury. It always happens on this date and in 2007 it coincided with the Saturday evening of the annual Megalithomania conference. The Chair is contested by open competition annually, each contestant performing for up to 15 minutes on a given theme, chosen by the previous Bard. The move to reinstate the Bardic Chairs of Albion has been ongoing for some years now, there being historical evidence of ancient Bardic Chairs (Gorseddau) in many locations throughout Britain. The Chairs are usually associated with high places, mounds, forts and sacred hills throughout Britain.
Tim Hall

In the late eighteenth century Welsh scholar and eccentric Iolo Morgannwg was instrumental in reviving the spirit of Druidry and almost singlehandedly creating the Eisteddfod tradition (translation: 'a sitting') which flourishes in Wales today. Also at around the same time there were moves to revive the ancient Bardic Chairs in England; these Chairs fell into disuse however, with the exception of the Gorsedd of the Bards of Kernow, Cornwall, which continues to the present day. In recent years, Tim Sebastian (who died recently) was a key figure in the extended revival of Gorseddic Bardism in England, establishing a Chair in Bath some ten years ago, and assisting with the Gorseddau of Caer Abiri (Avebury), Caer Wyse (Exeter) and Glastonbury, referred to by its ancient name of Ynys Witrin (probable translation: 'The Isle of Glass'). The movement continues apace, with the recent publication of Kevan Manwaring's 'Bardic Handbook' (Gothic Image publications, 2006) and the continued establishment of new Gorseddau throughout Britain.

Here in Glastonbury, Chaired Bard Tim Hall (pictured above) claimed the first Chair of Ynys Witrin at the instigation of the then 'Glasonbury Order of Druids' on St Herve's Day 2005, and was seated on a heavy Golden Chair made of recycled lorry parts by a local artist, the late Richie Bond. Tim was then charged with organising the next year's competition.

The Gorsedd of 2006 was contested by 9 local poets, storytellers and musicians, with opening heats at Glastonbury Assembly Rooms and finals at the White Spring on Wellhouse Lane. On the theme of Gwyn ap Nudd, King of the Faeries (who is rumoured to dwell in the catacombs beneath the Tor, or perhaps upon it), the competition was entertaining, fascinating and of a very high standard. After a long and difficult discussion, due to the very high standard of entries, the judges chose to re-chair Tim, based on the outstanding quality of his epic Ode (all sung and accompanied on guitar), 'The Ravens', which was loosely based on an ancient Celtic text on Gwyn ap Nudd.

Nathan Lewis Williams edited the Bardic Booklet, 'The Bards of Ynys Witrin' which contains many of the lyrics from 2006's competition. To order a copy of the booklet, or for further information, email info@bardic.org. The bardic.org website is growing rapidly and will soon have further details on the Gorsedd of Ynys Witrin and other Gorseddau. www.bardic.org

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Bards
© photo by Emma Stoner


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